You can't hold too much against this knowing that it was made in four days, and I had expected it to be campy anyway. (It's not all that campy in reality. With the exception of Kevin Kalisher and Huntley Ritter, who don't take themselves seriously, the rest of the cast plays it halfway straight; Riley Smith is exceptionally bad.) The ridiculous story is actually paid attention to, which kind of shocked me; I assumed the whole purpose with these ultra-low-budget horror movies was to cater to the basest sexual fantasies and not give a damn about the story, but they use lots of words like "technological" and "physicality" in the script to get their point across. (Although it's possible that the story is important only to explain why there's so few cast members.) Nobody cares about this stupid storyline, and the only things that are interesting in the film are the mocking of cults and the soft-core homoeroticisms (which aren't all that edgy). I would have enjoyed it more if there were just some random killings for no reason. The film is grainy, with a TV-quality look and acting level. There are a few "sexy" scenes that are alright -- the boys writhing in bed in their boxers, feeling themselves up; or being tied down and making orgasmic faces while wine is poured on them -- and some of them are kinda funny. And I liked the digs at L. Ron Hubbard and the intended irony of a story about religious cultists told with intense gay overtones, but it still isn't any good. 3/10

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#红毯先生#春节档的苦笑（以下内容涉及轻微剧透）这部剧喜提我个人最爱的春节档但它其实不像另外几部喜剧它更像是我偏爱的荒诞剧讲的也是我喜欢的话题——“人和人的沟通，为何总是无效的”作为对“沟通”要求极高的我来说这简直差不多是我没事就会想的话题所以如果你对‘无效沟通’是有认真思考过的推荐去看一看（如果只想乐一乐，不推荐）先贴上我喜欢的一段台词「我在说我是冤枉的你在证明你有能力网民在刷存在感大家都没有在沟通」是的这就是大家为何总沉浸于‘自我感