this movie is basically flawless. as a CHILD, i watched the English version and was enthralled by it, and at the same time very creeped out by the incredibly and shockingly sexual predator/stalker character of the Wolf. Anyone who has seen this film as a child can tell you it is an emotional roller coaster on multiple levels. The music, the rustic scenery in "half color", and the emotions just take you to another world; an outsider who is just waiting to see the protagonist come to an end, with the evil being so pungent and in our face, with you completely unable to do anything about it. You constantly fear for riding hood and the villagers because you know what is coming for them. its very shakespearan.As an ADULT, the movie is the most hilarious thing you will perhaps ever see in you're life, for various reasons, primarily the corniness and high levels of non realism. It is worthe minutes upon minutes of laughter. However, It is also possible to take the film very seriously; just note the above mentioned characteristics of the wolf. Strong other gender and age related issues are also prevalent throughout the film; its a matter of viewing it as styalistic.

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红毯先生：春节档冷门艺术片佳作，刘德华自《失孤》后最流弊的影片，没有之一。“你们不努力，我这么努力，你们凭什么还要求我不努力”，“我们真的很认真地在不认真”。。。。影片绝不仅仅揭示理解与沟通，更在用或冷峻或荒诞的镜头语言批判范社会现象。每个人都活在自己的信息茧房里，快节奏和多方压力下，大家拒绝付出沟通成本，理解万岁成为奢望。解决之道大概真如片尾老刘练习平衡车一般与自己和解，虽然笨拙，但迈开第一步总归是好的。技术方面宁浩抛弃了自己擅长的多线条交叉叙事和超快镜头剪辑，转而用娓

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因为最近剧目的话题热点，也难得百年难遇地重新用起了视频账号，看完了这个剧。从这个剧本身来说，其实编剧算不上大错，这个剧的主人公是个中年男职场底层，他服务的市场对象，也是类似处境的底层男性（或者我们姑且不恰当地称呼为屌丝吧），这个剧里所用的梗，所黑的段子，所塑造的各个桥段还有内涵，都是符合这个剧观看者的心理诉求和真实状况的。简单点说，就跟起点文一样，本来就是给男观众看着爽为主的。对本剧特别是剧本的评价，其实我自己的观感是比较路人的，它有一些看点，但是也不多，套路有创新

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该剧是一部非常优秀的犯罪惊悚片，通过深入探讨人性的复杂和社会问题，让观众感到震撼。

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文/Annihilator全文约字阅读需要分钟从《坠落的审判》回头看，茹斯汀·特里耶迄今为止的四部长片之间的相似性是极其鲜明的：四个女主角，从《索尔菲雷诺之战》中的记者、《维多利亚》中的律师，到《西比勒》中的精神分析师和《坠落的审判》中的作家，无一不是精英阶层出身的知识分子女性；围绕着她们的职业和生活，同一些元素不断重现——精神分析、文学、宠物、作为多语者和双性恋的女性、破碎的婚姻、情感对职业关系的超越……更重要的共通之处在于，我们总能在其作品中发现同一种内在与外在的张力