Winner of Special Prize at legendary Brussels International Experimental Film Festival, 1964. A surreal short tale of a young guy bears a big egg after masturbation...This short holds the only real "narrative" in the collection, as it captures a man engulfed by his perversion and sexual tension. Shortly after searing holes in nude photographs of women with a phallic-shaped rod and -- afterwards -- self-gratifying himself, or so that would seem how Iimura's photography would like for us to perceive it, he discovers an egg "birthed" in between him legs. When confronted with the idea that this may have been his creation, this once-impassioned man now starts to discover maternal tendencies shortly after his orgasm. By far the most compelling work in the collection, Onan tinkers with gradual, real masculine emotionality and eroticism as the focal character playfully and curiously plays with the egg, rendering an odd image of a once perverse man now nurturing the ideals of his passion's product. It can be seen as a metaphor for the cyclical existence of masculine energy, or even as misinterpretation of gender norms once the only other "character" in the film comes out. There's a lot of thought and energy in this seven-minute piece, one that packs more themes than most films ten times its length.

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这是一部男人戏，里面女人的戏份很少，不过比较让我在意的还是几个男女主人公之间的感情线。刘德华饰演的的瓦西里，对真真是有感情的，但是并没有把真真留在身边，而是任由她去找了别的男人，比如苗子文，我起初的理解是有种可能：瓦西里自知是一个通缉犯，不想连累真真他对真真的感情有一点，但是不多，并没有坚定的选择她。随着后面看到一个场景，瓦西里开车，真真坐在副驾驶，瓦西里劝说真真离开苗子文，真真反问那你为啥跟我分手，瓦西里开玩笑说，“我这样的人，要了才不值当呢”，有时候开玩笑的

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该剧以独特的视角探讨了现代社会中人们面临的孤独与挑战。主人公谷文通在美食专栏领域中的成就以及与欧阳文慧之间的感情，让他成为了这个故事中最具代表性的角色。

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文：闫晓雨走出电影院，在零下十度的隆冬里，我和好友相视而笑。“走！撸串去。”车子行驶在小镇华灯初上的街道，我感受到一种向内而生的美好和力量，在影院掉的眼泪，不是“煽情”哭的，而是隔着屏幕触碰到拳拳到肉的真诚，电影中的女主，一路受伤，一路亏欠，一路和解，一路热烈，直至叫人不想放弃生活。好电影是一种唤醒。贾玲，或许不是电影拍得最好的，但她非常能抓住故事内核。一种创作的真实，绝对投入的情感。观众也是这个宇宙里的一部分。春节档上市的《热辣滚烫》真的会激励到很多人。和

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你相信命运是有逻辑的吗？这句关于命运的“咒语”，在电影《被我弄丢的你》中多次出现，并贯穿整部影片，成为几次剧情转折的重要推进器。一个爱上画画的眼疾男生，和一个爱上文学的哥特女孩，在命运的偶然与巧合下相逢，又在现实的残酷和无奈面前分开，当理想的光芒和生活的平庸像失控的列车那样撞在一起，爱情究竟会化作一团熊熊燃烧的烈焰，还是一抹稍纵即逝的花火？在这部由韩琰执导的爱情电影里，我们不仅仅看到了阔别影坛多年的檀健次，也见识到他扮演了一个“充满残缺”的男青年形象。白晓宇显然不是那种